If a family quilt has ever been handed down to you from a beloved grandmother or great grandmother, you know how much people cherish their heirlooms. Over the years, myths have come to be associated with this quintessentially American art form. Historians and quilt museums have carefully researched some of the most popular myths and come up with some interesting observations.
To a large extent quilts shape our understanding of this country's beginnings. We imagine hard working Colonial women lovingly stitching bed covers from scraps of old clothes and remnants of discarded materials, underscoring the virtue of thrift. Many believe some quilts held secret messages during the period of slavery, offering instructions for runaway slaves hunting the Underground Railroad.
Scrap bags, where housewives keep bits of cloth leftover from sewing projects, may be a modern myth. This fits in with our view of colonists who had to use ingenuity and hard work to create everyday objects. The fact is that most of these early quilts were made from whole cloth. It was not your everyday fabric either. These quilts came from expensive imported fabric instead of scraps. Quilting from scraps didn't come into the picture until after the Industrial Revolution.
It is commonly believed that colonial women made quilts. This fits our picture of Americans with limited resources but plenty of resilience. Historians have found this to be fairly rare. In colonial times, textiles were expensive commodities. It was only after industry technology made mass produced cloth affordable that cutting up material and sewing it back together made economic sense.
Another common belief is that quilting is an activity exclusive to women. Even feminists have embraced the idea that quilts demonstrate the ability of women to make something out of nothing and to create a community through the common act of quilting. In fact, there are a number of men who are professional quilters and create unique quilting patterns. Their works are on view in museums along with their female counterparts.
Most Americans believe that quilting is specific to the United States. It is true that Americans have their own distinct styles and traditions, but some of them can be traced back to England and France. The popular mosaic patchwork designs most are familiar with actually originated in Britain. Some of the earliest quilted textiles have been found in Mongolia. These date back to the first century.
There is a persistent myth that surrounds quilts made during the Civil War. The story goes that quilters involved in assisting runaway slaves sewed secret code into their quilts in order to send messages and instructions regarding passage on the Underground Railroad. This story apparently has no basis in fact. Historians now believe it originated with an individual family.
Most people love quilts. They are reminders of a time long gone. The stories that have built up around them through the years may or may not be true. Either way people love the idea of the history they represent.
To a large extent quilts shape our understanding of this country's beginnings. We imagine hard working Colonial women lovingly stitching bed covers from scraps of old clothes and remnants of discarded materials, underscoring the virtue of thrift. Many believe some quilts held secret messages during the period of slavery, offering instructions for runaway slaves hunting the Underground Railroad.
Scrap bags, where housewives keep bits of cloth leftover from sewing projects, may be a modern myth. This fits in with our view of colonists who had to use ingenuity and hard work to create everyday objects. The fact is that most of these early quilts were made from whole cloth. It was not your everyday fabric either. These quilts came from expensive imported fabric instead of scraps. Quilting from scraps didn't come into the picture until after the Industrial Revolution.
It is commonly believed that colonial women made quilts. This fits our picture of Americans with limited resources but plenty of resilience. Historians have found this to be fairly rare. In colonial times, textiles were expensive commodities. It was only after industry technology made mass produced cloth affordable that cutting up material and sewing it back together made economic sense.
Another common belief is that quilting is an activity exclusive to women. Even feminists have embraced the idea that quilts demonstrate the ability of women to make something out of nothing and to create a community through the common act of quilting. In fact, there are a number of men who are professional quilters and create unique quilting patterns. Their works are on view in museums along with their female counterparts.
Most Americans believe that quilting is specific to the United States. It is true that Americans have their own distinct styles and traditions, but some of them can be traced back to England and France. The popular mosaic patchwork designs most are familiar with actually originated in Britain. Some of the earliest quilted textiles have been found in Mongolia. These date back to the first century.
There is a persistent myth that surrounds quilts made during the Civil War. The story goes that quilters involved in assisting runaway slaves sewed secret code into their quilts in order to send messages and instructions regarding passage on the Underground Railroad. This story apparently has no basis in fact. Historians now believe it originated with an individual family.
Most people love quilts. They are reminders of a time long gone. The stories that have built up around them through the years may or may not be true. Either way people love the idea of the history they represent.
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